- Get iplayer automator ipad mp4#
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- Get iplayer automator ipad tv#
The future proofing I have described is not the shot in the dark some seem to think.Ĭurrently many DVD players make a very good job of upscaling standard definition to play on 1920x1080 TVs - as I'm sure we all know. While I don't think that's a good idea, he is getting plenty of work despite pretty much telling the customer what they are going to have (a bit like Apple!). As I said, two of my competitors do HD, and one has abandoned SD altogether. If there is no demand in your market, good for you. The reason I prefer BD is it saves me time, as I don't need to downconvert an SD version and re-author for dvd.Īs for the future proofing argument, I'm not bothered about what future formats we might face, I just want to provide them the best we can at the moment.
Get iplayer automator ipad plus#
Plus I can put well over 2 hours of video if I have to without compressing the hell out of it or resorting to dual layer disks. "Bust a gut", "spending hours getting them right on your system." Is authoring Blu-rays difficult for you guys? Since I went HD 3 years ago it has been easier making a blu-ray than a dvd. I am not the only one in my fairly small market doing Blu-rays, and, as I said in the thread on file based output only, I was toying with the idea of blu-ray exclusively at the expense of DVD, purely because one of my competitors is doing that already. When there is a demand for something different then I will supply it, but I won't bust a gut supplying a market that isn't there. The MP4's look spectacular on the Ipad 3 by the way :- )Īs far as I am concerned, I supply for what the market demand is now, not what it might or might no be.
Get iplayer automator ipad mp4#
In the future when TVs can routinely show a wider range then the MP4 version will look a lot better on those TVs than will the "old" DVDs. My workflow to help get around this in Vegas is to edit as is for MP4's, but for DVDs to add Vegas's somewhat confusing computerRGB to studioRGB effect to the bus ( so that it is applied to all the video tracks including nested projects ).
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And if you edit to optimise for TV viewing your product will look washed out on a computer. What this means is that if you edit to optimise for computer viewing your end product will look more contrasty on a TV than you intended, sometimes unpleasantly so. In my case I'm using mainly 5DII files and Panasonic AVCHD 1920x1080 50p files which are at the 0-255 end. The media you feed your NLE will have some bearing. OK I'm oversimplifying but please bear with me. Typically a TV will show 16-235 whereas as computer tablet or smartphone will show 0-255.
Get iplayer automator ipad full#
No cheesy menu screen and lots of marker / chapter points.Īnother point I meant to add is the difference in the ability of screens to show the full range. I'd say that you don't really need a chapter screen in regular DVDs either - certainly in Vegas you can insert chapter markers and then set up the burn in DVD Architect so that the client can skip around simply by pressing the chapter buttons on their remote. I would re-interate my earlier point that you don't really need chapters in MP4's because of devices ability to scrub in an instant. It also helps differentiate me from the competition.įor me to produce an MP4 in addition to a regular DVD is not a lot of extra work, it just ties down a machine for what can be a very lengthy render. This illustrates their value to clients and certainly gets their interest. I always show videos on an Ipad 3 and on a Galaxy S3 in my consultations. And that may be a way of ensuring recommendations far into the future.Īlso it can only be a matter of time before the technical quality available via regular DVD falls short of client expectations what with the relentless march forward of high def TV transmissions, 4,000 screens etc. I take a different view in that the MP4's I deliver are 1920x1080 and at a decent bit rate - the point being to deliver something which will be of value in the future even though clients may not appreciate its value at present.
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